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Mixed portrait by Alixe Fu, a French-school canvas revived by the artist
European Heritage Days 2026

To restore is to revive

A free guided visit revealing how damaged canvases of the French school were revived by the artist Alixe Fu.

Saturday 19 September → Sunday 20 September 2026

Free — limited places, book online.


Repairing becomes painting

Heritage at risk: revive, resist, reimagine

The heritage of photography

Portrait of Henri IV taken up by Alixe Fu, its background opened to contemporary colour
Portrait d'Henri IVHuile sur toile · reprise en 2015

For the European Heritage Days, LabMusée in Auvers-sur-Oise opens Alixe Fu's permanent exhibition free of charge. Anonymous 18th- and 19th-century canvases, painted by students of the French school and damaged by time, are reborn under the artist's hand: restoration becomes an act of painting that does not conceal history but reveals it.

The guided visit does not stop at commentary: it ends with a conversation among the works, where the questions matter as much as the answers. That is why the groups stay small.

Guided talk and conversation led by Clermont Fu, director of LabMusée.

Before / after

From torn canvas to revived canvas

Double portrait à la lecture

Toile XIXᵉ ~ 2012 · Huile sur toile · Anti-Rétro — Portraits métissés

Holed, torn, flaking: the canvas seemed lost. Alixe Fu did not try to make it look new. He filled the losses with a new landscape and laid lace masks over the faces — the bourgeois portrait remains, but now it looks out at our own time.

The original canvas before restoration: a 19th-century double portrait, holed, torn and flaking
Before
The same canvas revived by Alixe Fu: the two young women now wear lace masks, before a new landscape
After
Alixe Fu in the fields of Auvers-sur-Oise, where he lives and works.
Alixe Fu in the fields of Auvers-sur-Oise, where he lives and works.
On site

One booking, the rest freely open


Booking required

Guided visit & conversation

A forty-five-minute guided talk before the revived canvases: where they came from, why they were damaged, and how the Anti-Retro — Mixed Portraits project turned them into new works. Led by Clermont Fu, director of LabMusée, it flows into an open conversation. Two departures a day, at 2:30 pm and 4:30 pm.


Freely open

Before / after display

Photographs of the canvases in their original state, shown facing the finished works — a direct echo of this year's second theme, the heritage of photography.


Freely open

Sign-Me participatory table

A word, a drawing, your own mixed heritage: everyone revives something in turn, echoing the museum's Sign-Me Garden. Open all weekend.


Freely open

Exhibition, sculpture garden & LabCafé

Freely open throughout, no booking needed: Saturday 2 pm to 6 pm, Sunday 10 am to 6 pm.

The works

Damage left visible

The bonnet, the roses and the scarf of the original portrait remain intact. Behind the sitter a face rises from the background; on her forehead, a red dot joins two worlds.
École française XIXᵉ ~ 2013 · Huile sur toile

Portrait à la coiffe de dentelle

The bonnet, the roses and the scarf of the original portrait remain intact. Behind the sitter a face rises from the background; on her forehead, a red dot joins two worlds.

An academic Flora whose canvas was torn along its lower part. Where the paint was missing, Alixe Fu brought a crowd of coloured figures to life; on the goddess's arm, a tattoo mixes two languages.
École française XIXᵉ ~ 2012 · Huile sur toile

Flore

An academic Flora whose canvas was torn along its lower part. Where the paint was missing, Alixe Fu brought a crowd of coloured figures to life; on the goddess's arm, a tattoo mixes two languages.

An 18th-century fête galante: the figure keeps his costume and cape, but his face becomes a white mask, and three balloons drift off into a present-day sky.
École française XVIIIᵉ ~ 2019 · Huile sur toile

Pierrot aux ballons

An 18th-century fête galante: the figure keeps his costume and cape, but his face becomes a white mask, and three balloons drift off into a present-day sky.

A 19th-century towpath canvas, taken up again in 2019: Alixe Fu's masked figures settle into the old landscape without erasing a single line of it.
XIXᵉ ~ 2019 · Huile sur toile · 149 × 95 cm

Haleurs ramenant un Bateau

A 19th-century towpath canvas, taken up again in 2019: Alixe Fu's masked figures settle into the old landscape without erasing a single line of it.


The slots

Limited places

Two departures a day, at 2:30 pm and 4:30 pm. Each visit lasts 45 minutes and ends in conversation among the works — so the groups stay small.

Saturday 19 September

  1. 2:30 pm3:15 pmLimited places
  2. 4:30 pm5:15 pmLimited places

Sunday 20 September

  1. 2:30 pm3:15 pmLimited places
  2. 4:30 pm5:15 pmLimited places
Where
23 rue du Pois, 95430 Auvers-sur-Oise
Price
Free
See the exhibition

Booking your slot creates your Discovery Pass: a free temporary membership of the association, valid for the day. It grants access and lets us prepare for your visit.

JEP Discovery Pass
Your slot

Saturday 19 September

Sunday 20 September

How many of you

Yourself included. For groups of more than six, write to us.

Your Discovery Pass will be sent there immediately.

Also issued at the desk on the day, subject to remaining places.