Trésors de la Belle Époque

Milk-white skin and black ink: Foujita marries Japanese calligraphic precision to the sensual romanticism of the École de Paris. Around him, Callot dissects power with a drypoint, Rodin breaks perspective, Corot veils his landscapes, and Max Ernst finally frees the line from the chains of consciousness.

A bridge between France and Japan, and the first major hang of the LabMusée private collection — whose works continue to be shown by rotation.